So, an example of needing more than one POV: a love scene with two protagonists. Though you don't want to repeat the same action for each person - too slow - and going back and forth too frequently can leave readers dizzy. There's no easy way, and lots of drafts to get it close to meaningful. Good dialogue helps.
Yes--unless it's truly revealing, you don't want to repeat the same scene. Though at times it's useful to do this just for your own eyes and knowledge.
An important post, Alison. Thanks for this. Your statement, "..your POV folks need a reason for this status; why does your reader need to be inside this person’s mind, heart, and soul," is crucial to story planning.
So, an example of needing more than one POV: a love scene with two protagonists. Though you don't want to repeat the same action for each person - too slow - and going back and forth too frequently can leave readers dizzy. There's no easy way, and lots of drafts to get it close to meaningful. Good dialogue helps.
Yes--unless it's truly revealing, you don't want to repeat the same scene. Though at times it's useful to do this just for your own eyes and knowledge.
My first attempt at a novel did have multiple POVs, but I justified that by constructing it as an oral history document.
Did they connect at some point?
Yeah. They were all exiles on the same planet, so inevitably they would interact.
An important post, Alison. Thanks for this. Your statement, "..your POV folks need a reason for this status; why does your reader need to be inside this person’s mind, heart, and soul," is crucial to story planning.
YEs, once we open the door to multiple characters, it's easy to let one slip in... one too many, it can be.